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Sun Studio: the Al Quoz workshop that prints on almost anything

Since 2011, Sun Studio has printed directly onto glass, stone, textiles and walls from a warehouse off Sheikh Zayed Road. A profile of the group company serving Gulf brands, hotels and fit-out contractors.

By 4 min read
A wall printed directly on site by Sun Studio
Photo: Sun Studio (sunstudio.ae)Sun Studio (sunstudio.ae)Supplied image, used with permission
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Warehouse #7 in Al Quoz 1 does not look like a place regional brands depend on. It is one unit among hundreds in Dubai’s industrial quarter off Sheikh Zayed Road. What happens inside it, though, explains a growing share of how Gulf retail, hospitality and packaging get their look.

Sun Studio has been printing since 2011, and its pitch is a single idea carried unusually far: print onto the surface or the object itself — "glass, acrylic, wood and MDF, metal and ACP, ceramic, stone, leather, textile, bottles and walls", as the company’s own materials list runs — rather than onto a label, film or transfer that then has to be applied.

What the company actually offers

The published service list breaks into four capabilities, each a different machine and discipline:

  • Flatbed UV printing on rigid and flat material — the workhorse for signage, panels and interiors.
  • Cylindrical and direct-to-object printing — bottles, jars, tumblers and awards, where the surface curves away from the print head.
  • Direct-to-wall printing, on site — murals printed straight onto a finished wall, as in the company’s own photographs of completed wall-mural work.
  • White ink, raised and tactile printing — including the raised elements that accessible and braille signage require.

Two process details from the company’s own description matter more than the machine list. First: "there is no screen or plate to pay for", which is what makes short runs economic — a fifty-unit job carries no tooling cost. Second: the company says it tests "unfamiliar substrates before a run" and produces "samples before production is committed", which is the discipline that separates custom printing that works from custom printing that gets argued about.

Who runs it

Sun Studio publishes its team by name — Abdullah Maraqa as General Manager, Jelyn Diamante as Operations Director, Fedora Nyuysemo as Operations Supervisor, Nasir Joynal on design, Thamanna Shakkeel on social media and Amir Shoaib in production. For a trade in which accountability for a botched run matters, a named masthead is itself a form of confidence.

How it serves the GCC

The customer base this capability serves is regional by nature. Gulf retail and hospitality projects run on compressed fit-out schedules with fixed opening dates; the region’s perfume, cosmetics and corporate-gifting sectors buy decorated vessels in short, frequently changing runs; and accessible signage is a regulatory expectation in UAE public buildings. Short-run, direct-to-surface printing is the shape of supplier all three of those demands select for.

The company sits inside a wider Dubai-founded group — its own about page describes sister companies established in 1998, 2003, 2017, 2023 and 2025 across IT, retail, air quality and AI, the group anchored by PRO TECHnology. In practice that means the print shop arrives at client relationships the group’s IT arm opened years earlier — airports, universities, retailers — with the trust already established.

The honest limits

Sun Studio does not publish revenue, production capacity or client contract details, and this profile makes no estimate of them. The customer comments on its site — artwork corrected before printing, a decade-long client relationship, consistent finishing — are the company’s own selection and are read here as directional signals about process, not as audited fact.

Reading the workshop as a business

The economics of this trade reward exactly the shape Sun Studio has published. With no screens or plates to amortise, margin lives in job variety and repeat clients rather than volume — which is why the operational details it emphasises are testing substrates before a run and sampling before committing production. Those steps cost the workshop hours and buy it the thing this market pays for: large orders that arrive right the first time.

It also explains the breadth of the materials list. Each new substrate a workshop masters — leather, stone, acoustic panelling, macarons — is not a product line so much as an answer ready for the next fit-out contractor who walks in with an unusual surface and a deadline. In a compressed-schedule market, being the shop that does not say no is a durable position.

Frequently asked questions

What does Sun Studio do?

It prints directly onto surfaces and objects — glass, metal, wood, stone, ceramic, leather, textiles, bottles and walls — using UV printing, rather than producing labels or transfers that are applied afterwards. Services span flatbed and cylindrical printing, on-site direct-to-wall murals, and raised or tactile printing.

Where is it based?

Warehouse #7, Al Quoz 1, off Sheikh Zayed Road in Dubai, where it has operated since 2011.

Who uses direct-to-surface printing?

Brands decorating packaging (perfume and cosmetic vessels especially), interior fit-out contractors, hotels and retailers needing signage and wayfinding, and organisations required to provide braille or tactile signage in public buildings.

Why does direct printing matter versus stickers or films?

An applied graphic is a second material with an edge that lifts, collects dirt and ages differently from the surface under it — quickly, in Gulf sun and humidity. Direct printing cures ink onto the substrate itself, so the finished object stays one material with no edge to fail.

Is Sun Studio part of a larger company?

Yes — it is part of the Dubai-founded group anchored by PRO TECHnology, alongside sister companies in IT, retail, air quality and AI.

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Written by

Layla Farouk

Covers the GCC for readers in Egypt — the Gulf economies, the companies and sovereign funds that move regional capital, and the energy, investment and employment decisions that reach Egyptian households through remittances and jobs. The beat exists because what happens in Riyadh, Dubai and Doha is domestic news for the millions of Egyptian families with someone working there. Company reporting sticks to what a firm actually publishes and attributes it plainly; no revenue, headcount or contract value is estimated, because private Gulf groups disclose selectively and a confident guess is worse than an admitted gap.